![TYSL [redesign version]](http://images.squarespace-cdn.com/content/v1/67729cf30154677f35cce72e/b633533f-67af-4607-9653-a993ed2b9316/TYSL_mark_revout.png?format=1500w)
Rachel’s
With its mix of imagined narrative and personal experiences, this primogenitor piece - flaws and all - marks the start of more personal work in tone and subject. It's also the beginning of exploring ways to combine traditional methods into the digital space
There’s A Body
Under The Ice
An early attempt to invite the viewer to experience a piece of work directly from the artist's easel, using a single composition to allow a narrative to unfold, before expelling them back into reality. Being critical, this piece leans too heavily into graphic design (I still feel type has a role to play in what I create) but it is still a worthwhile investigation
UltraViolet
Inspired by the deep neural networks (DNNs) technology found in facial recognition software, and how it can be subverted using abstract imagery, this early digital painting sees me mixing figurative and abstract marks
Xue Lin's paper ↆↆ
Adversarial T-shirt! Evading Person Detectors in A Physical World
Her Choice
Society's appetite to dictate what women can/can't do with their bodies has always been bizarre to me; the intention behind this early piece was to speak to the chaos theory where a tiny moment can influence larger changes (as often illustrated in the concept of a butterfly flapping its wings)
I'm still fond of the use of type here, the mop marker is one of the many tools of graffiti that I like to incorporate into my work. Plus, ❤ the animated marks also